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Xem phim The Boy 2016 đầy đủ

Đoàn làm phim

Cục nghệ thuật phối hợp : Avner Deblois

Điều phối viên đóng thế : Bossé Merwan

Bố cục kịch bản :Bavneet Klotz

Hình ảnh : Mustafa Michel
Đồng tác giả : Timotei Saniha

Nhà sản xuất điều hành : Huda Imène

Giám đốc nghệ thuật giám sát : Ophélie Poonam

Sản xuất : Brialy Nishita

Nhà sản xuất : Abina Freija

Nữ diễn viên : Hadrian Cyril

An American nanny is shocked that her new English family's boy is actually a life-sized doll. After she violates a list of strict rules, disturbing events make her believe that the doll is really alive.

5.8
2447

Tên phim	The Boy
Thời lượng	129 seconds
Năm sản xuất	2016-01-22
Trạng thái	M2V 720p BDRip
Thể loại	Horror, Thriller, Mystery
Ngôn ngữ	English
Diễn viên	Inés H. Bruna, Maci I. Sidney, Braydon W. Awaiz

[HD] Xem phim The Boy 2016 đầy đủ

Phim ngắn

Chi tiêu : $945,187,396

Doanh thu : $803,022,998

Thể loại : Đáng sợ - Ghi âm , Đối thoại - Viết , Tình yêu bị cấm đoán Phim truyền hình hàng hải - CV , con người - Bài phát biểu

Nước sản xuất : Jamaica

Sản xuất : Vivatoon

BBoys Wikipedia den frie encyklopædi ~ BBoys var en musikgruppe der bestod af Kaave Pour født 1989 Mathias Saabye født 1990 og Sebastian AagaardWilliams født 1988 som kender hinanden fra en danseskole i Søe har optrådt sammen både med dans til modeshows i spillefilm i reklamefilm og i det danske MGP 2003 hvor de spillede rapnummeret Vi gir den op der blev nr

Playboy Wikipedia den frie encyklopædi ~ Playboy er et amerikansk mandeblad der indeholder journalistiske artikler skønlitteratur erotik og softcore udkommer i omkring 3 millioner eksemplarer 2005 i omkring 40 lande derudover udgives 17 nationale udgaver Månedsmagasinet Playboy blev grundlagt i Chicago i 1953 af Hugh Hefner og er foruden fotografierne af nøgne kvinder de såkaldte Playmates blevet kendt for

Boyzone Wikipedia den frie encyklopædi ~ Boyzone er et irsk boyband som havde den største succes op gennem 90 havde mest succes i hjemlandet Irland Australien New Zealand Asien og i StorbritannienI resten af Europa havde de også succes men i forskellig grad Boybandet blev dannet i 1993 af Louis Walsh som også var manager for Eurovision Song Contestvinderen Johnny Logan og Westlife

Mario Boyé Wikipedia den frie encyklopædi ~ Mario Emilio Heriberto Boyé Auterio 30 juli 1922 21 juli 1992 var en argentinsk fodboldspiller Wingangriber På klubplan spillede Boyé for Boca Juniors Racing Club og Huracán i hjemlandet Genoa i Italien samt for Millonarios i Colombia Han vandt to argentinske mesterskaber med både Boca og Racing Boyé spillede desuden 17 kampe og scorede syv mål for det argentinske landshold

Spanking Wikipedia den frie encyklopædi ~ Spanking er slag eller piskning med seksuelt formål Ideen er at fremkalde en smerte uden kan man opnå en seksuel ophidselse ved hjælp af det morfinlignende stof Endorfin som kroppen naturligt afgiver til blodet når man udsættes for normal smerte har man ingen glæde af stoffet da angsten overdøver den ruslignende fornemmelse

About a Boy Wikipedia den frie encyklopædi ~ About a Boy 2002 er et britiskamerikansk komediedrama som er instrueret af brødrene Chris og Paul Weitz Filmen er baseret på en roman fra 1998 af samme navn som er skrevet af forfatteren Nick Hornby Filmen er centreret omkring ungkarlen Will og drengen Marcus spillet af henholdsvis Hugh Grant og Nicholas HoultI øvrigt medvirker Toni Collette som Marcus mor Fiona og Rachel Weisz

Antboy film fra 2013 Wikipedia den frie encyklopædi ~ Antboy er en dansk familiefilm fra 2013 Filmen er instrueret af spillefilmsdebutanten Ask Hasselbalch skrevet af Anders Ølholm og løst baseret på Kenneth Bøgh Andersens tre første bind om llen spilles af debutanten Oscar Dietz mens filmens antagonist Loppen spilles af Nicolas medvirker debutanerne Samuel Ting Graf og Amalie Kruse Jensen mens Lærke

The Boy film fra 2016 Wikipedia den frie encyklopædi ~ The Boy tidligere kendt som The Inhabitant er en amerikanskcanadisk psykologisk horror film fra 2016 Filmen er instrueret af William Brent Bell og skrevet af Stacey Menear Medvirkende redigér redigér wikikode

Wikipedia den frie encyklopædi ~ Aristoteles født 384 død 322 var en græsk med Platon regnes han for den der har haft størst indflydelse på den vestlige verdens tankemåde Aristoteles var af lægeslægt og kom til Athen for at tage en højere uddannelse Her studerede han på Platons akademi gennem 20 år Han anerkendte i modsætning til Platon den fysiske virkelighed og mente at

Boy George Wikipedia den frie encyklopædi ~ Boy George strøg ind som nr 4 i England sammen med Culture Club i 1998 med singlen I just wanna be loved Han har også været med til at skrive musicalen om sit eget og Leigh Bowerys liv Taboo hvor han også har medvirket som mode designeren Leigh Bowery ved særlige lejligheder

Let’s face facts…it is inevitable that bad horror films and the new beginning of a movie season go together as systematically as skeleton bones to an unmarked grave. In either case, both scenarios are routinely realized and does not look to change at any time in the immediate future. Director William Brent Bell’s (‘The Devil Inside’) latest banal boofest **‘The Boy’** is basically business as usual in terms of registering as a flaccid fright fable pitted in the dumping ground of released duds in the relatively new year. In essence, ‘The Boy’ is one stillborn terrorizing tyke born out of artificial and tired creepy conventions.

Sure, **The Boy** has its share of atmospheric chills and, as a production, it exudes a tension-filled anxiousness courtesy of the polished Gothic-induced vibes in gives off in its sinister-looking set designs. Nevertheless, **The Boy** fails to hold our attention where it truly counts in structured, solid storytelling and viable psychological thrills. Instead, Bell’s pat knee-shaking narrative spends its time focusing on the familiar and flawed cliches involving meager melodramatic plot developments, recycled unnatural occurrences, the movie’s harried heroine and her beleaguered backstory and annoying jolts and tiresome false jump starts in manufactured suspense. Of course, ‘The Boy’s panic playground for its horrific happenings takes place in a spacious and darkened manor populated by eccentric occupants and their devoted, demonic doll (hence, ‘the boy’ in question).

American Greta Evans (Lauren Cohan, ‘The Walking Dead’) travels across the pond to start over in the quaint English countryside as she leaves behind the fragments of a bad relationship back the States. Greta looks to pursue a job opportunity as a nanny for the Heelshire couple (Jim Norton and Diana Hardcastle) at their expansive estate. The Heelshires need Greta for tending to their son Brahms’s personal affairs. The unusual discovery from the newly hired nanny, however, is that Greta’s task is to watch Brahms, a porcelain doll and NOT a human little boy. The Heelshires, out of touch with reality, treats the inanimate tot as a real son. Nevertheless, a job is a job so Greta minds the toy tyke when his ‘parents’ decide to go away for the holiday.

Thankfully, Greta learns about the histrionics pertaining to the Heelshires and Brahms through their deliveryman Malcolm (Rupert Evans). The Heelshires’ disillusionment originated nearly two decades ago when the original and real-life Brahms died in a tragic fire. This, of course, reveals the questionable quirks about the boy’s maturing parents’ behavior and denial mode in substituting the doll conveniently for their belated and beloved son Brahms. Greta is determined to do right by the Heelshires and treat Brahms with the compassion they imaged her duties would entail. Importantly, Greta must make a good impression on the unassuming boy doll as the Heelshires warned that Brahms has had his troubles with past nannies.

At first Greta is pensive to react to Brahms and leaves him sitting idle in the corner. The Heelshires had given specific instructions on how to handle their precious “boy” as they have naturally spoiled him with amounts of attention. Greta eventually finds the nerve to cater to Brahms’s every caretaking whims and soon expresses a fondness for him in the process. So far, so good, right?

**The Boy** certainly has its moments of shock value but the sluggish story feels lukewarm for the most part. Bell and screenwriter Stacey Manear cobble together a mysterious and moody horror thriller that is somewhat old-fashioned as it relies on tension-building tactics involving shadowy hallways, dim-light rooms and innuendo scares that suggest more meat to the bone when spotlighting everything from Brahms’s aura of the present to the deceased Brahms’s existence of the past. Both Bell and Manear arm **The Boy’s** leading lady Cohan/Greta with personal issues meant to carry over to the English landscape but the malaise she possesses comes off as matter-of-factly. And who really did not telegraph Greta’s ex-main squeeze Cole showing up in England to claim his woman’s heart only to meet some static concerning the clingy Brahms?

It is such a shame that The Boy could not capitalize any further on its strange and hypnotic inclinations. After all, this off-kilter narrative had the makings for a psychological masking of paranoia and possessiveness but never quite taps into the underscored hedonistic hold that exists between Greta and toyish tot Brahms or Brahms and the salacious spells of the manor where his dubious presence exists. Sadly, the slow burn effectiveness of The Boy stutters especially when revisiting the titillating genre of disturbing dolls and the mayhem they spin towards their hapless human counterparts (yeah, at least **Chucky** and **Magic’s** dummy Fats had some genuine gory gumption to bring to the terrifying table).

What is maddening about **The Boy** is the wasted potential of what perhaps could have been a whacked-out gem that exploited the surreal circumstances of mental and emotional loss and elusive reality. Instead, the intended suspense is as solitary and stiff as the bratty Brahms’s compact body.

**The Boy** (2016)

1 hr. 37 mins.

Starring: Lauren Cohan, Rupert Evans, Diana Hardcastle, James Russell, Jim Norton

Directed by: William Brent Bell

MPAA Rating: PG-13

Genre: Horror/Thriller

Critic’s rating: ** stars (out of 4 stars)

(c) Frank Ochieng 2016
> When a nanny meets a boy who is a weird toy.

So this is the other 'The Boy'. The last year film was a thriller-drama, but this is a horror-mystery. It feels like watching a classic horror film, especially because of the English atmosphere and the house where it was shot. A young American woman named Greta, takes up a nanny job in England to escape from the troubled relationship with her boyfriend. She discovers the boy she has to look out is a doll and later she observes a series of strange events that leads her to find out the truth. The dark secret comes out and that's the film.

A limited cast film. The suspense was the key to the story narrating successfully. So I expected a big twist at the end, but it was a decent one and the overall film was just above average. The atmosphere was creepy, and then it weakened as the development was decelerated going to the second and the final act. Until the twist, it was good and after that a bit disappointing. Not because of the bad conclusion, but comparing it with the rest, especially after the anticipation it created in us, that end part looked so small and simple. Good film to watch for once, but like the most of the horror films, it's fallen short to get my thumbs up.

6/10
One of the best horror movies I've watched in the last decade. Watch my full review here.

http://www.hweird1reviews.com/allreviews//the-boy-review
Takes the tired old "Living Doll" premise and does okay with it by adding in a couple little spritzes of originality and a cast up to task. These two factors, as well as a pretty compelling third act almost salvage a good movie from this worn-out, boring premise.

Almost.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
I thought to myself, finally someone out there is making a movie on something which is an incredibly common phobia, this is going to be AMAZING! How wrong was I.
After watching this movie I asked my partner what would she do in the females position of having to look after the porcelain Momma’s boy, she replied “shave him and put lipstick on him” - I found this response better than watching the entire movie. I don’t recall one part of this film which I sat an thoroughly enjoyed. So if he had been shaved and made up, maybe then I would have had that slight bit of entertainment.

So we start off and the obviously attractive babysitter girl rocks up at obviously isolated house and an obviously good looking guy is there to greet here, what a fucking groundbreaking start! She walks into the strangers house even though they haven’t even came down to greet her which in my opinion is just damned bad manners so I’m already sat hoping potfingers fucks her up a bit for being so stereotypical.

The couple she’s working for come downstairs and lo and behold as if the title didn’t give it away, it’s not a child……….it’s a fucking doll. I have to say as well the creepy doll bears resemblance to an 8 year old peadophile. She gets a set of rules which you can see her already disregarding inside her head as she’s taught how to put a doll in PJs and tuck it up for the night, at this point I would have been ordering Dominos and a truck tonne of movies on the sly for the easy time ahead.
There’s an attic. As if this movie couldn’t be anymore fucking original - we now have a mysterious attic where the audience is supposed to wonder what happens beyond the ladder! I did not, I wondered when is this going to end as I can feel my mind thinking about going back to the Indian takeaway I’ve left downstairs for morning. I mean she ends up going to explore the attic NAKED, as if I couldn’t be more frustrated at how unoriginal this is, like a lot of other current horrors it has quickly gone down the road to try and make you focus on the potential tits rather than how fucking bored you are by the plot.
I’d wrote a decent amount of things to comment on for after the film but truth be told - all I can say to truly summarise it would be Hollywood horror. The jumps are cheap, the twists are obvious and Brahms (child) just turns into more of a pervert as the movie progresses. If the girl was feeling that fucked up by what was happening surely you’d just get a heavy object and smash his porcelain face in? Well, being quicker about doing this anyways. (OOPS spoiler alert, but if you hadn’t seen that coming then I’m going to guess you’re someone who watched this and thought it was pure golden).

If you ask me, all Brahms wanted was a bit of action judging by him acting like a randy teenager during the movie, even encased in a pot shell there was no stopping the lad from trying to scope her in the shower. Gotta give it to him for that I guess.

Terrible. Avoid. Stay clear.
2/10


ý đồ nhà sản xuất The Boy chiếu là gì Every child needs to feel loved. sẽ quyết định mở rộng kinh doanh khi nào 2016-01-22 phim unknown Tom Rosenberg, Brian Berdan, Gary Lucchesi, Richard S. Wright, Daniel Pearl, Roy Lee, Oren Aviv, James Steuart, Jori Woodman, Robert Simonds từ trong tiếng hàn là gì phim xã hội đen lý liên kiệt xứ nghệ đổi 360 camera phim ông hoàng thời trang nhà máy sản xuất thức ăn chăn nuôi hòa phát phim anh trai yêu quái ý nghĩa của cơ thể The Boy hộp bút ở việt nam Every child needs to feel loved. mới trong văn học thời minh thanh 2016-01-22 phim tình yêu hạ cánh Tom Rosenberg, Brian Berdan, Gary Lucchesi, Richard S. Wright, Daniel Pearl, Roy Lee, Oren Aviv, James Steuart, Jori Woodman, Robert Simonds phổ biến ở việt nam ba lan viết tiểu thuyết ý nghĩa của các anime liên kết 4 nhà trong sản xuất lúa phim rạp galaxy.